Raia, a famous writer struggling with writer's block, travels to New York to get inspired. There, she meets River and becomes entangled in a love story haunted by the past.

Something is wrong. Something is completely wrong. With the sound and with the image. The notes are crooked, the piano lid squeaks, the movement falters. Corrections are needed to bring everything together in harmony and in tune with Johann Sebastian Bach’s beautiful music. 　　Six roles of painted toilet paper are worked on by human hands on an editing table, one after the other. The editing device consists of coloured building blocks and a few wooden sticks. It is a game, a trick, it’s entertainment. At the same time, the simple images on the film strip take us deep into the current events of our time. But the material resists sharply delineated representation. It soaks up the paint and blurs the boundaries. It tears. It is limited. Before the story can pick up speed, the roll is unspooled. Narrative is difficult in view of this situation. And yet animation artist Anna Samo manages, with a very light touch, to transform ambivalent feelings, confusion, rigidity and speechlessness into a work of hope and courage.

Something is wrong. Something is completely wrong. With the sound and with the image. The notes are crooked, the piano lid squeaks, the movement falters. Corrections are needed to bring everything together in harmony and in tune with Johann Sebastian Bach’s beautiful music. 　　Six roles of painted toilet paper are worked on by human hands on an editing table, one after the other. The editing device consists of coloured building blocks and a few wooden sticks. It is a game, a trick, it’s entertainment. At the same time, the simple images on the film strip take us deep into the current events of our time. But the material resists sharply delineated representation. It soaks up the paint and blurs the boundaries. It tears. It is limited. Before the story can pick up speed, the roll is unspooled. Narrative is difficult in view of this situation. And yet animation artist Anna Samo manages, with a very light touch, to transform ambivalent feelings, confusion, rigidity and speechlessness into a work of hope and courage.

This documentary recreates a genuine sense of the personal presense of the late modern architect, Paul Rudolph, and the ambience of his studio. Mr. Rudolph was widely recognized within the architectural profession as spontaneously brilliant, and the unchallanged master of space and the manipulation of form. The episode during the construction of the chapel at Emory University gives insight into the kinds of frustrations artists often suffer at the hands of short-sighted patrons. A fine film, based upon the reality it conveys, if for no other reason.

Another of Scots director Grigor's handsome architecture documentaries, from the line across the white on black titles dissolving to the prairie horizon, this is a superior, unremittingly serious study of it's subject The personal material, glimpses of the aged Wright on film, accounts of his marriages and the disasters destroying his home are margin notes to the detailed filming of the buildings. 　　Baxter is a relative and her narration is effective. 　　Austere and imposing, leaving a respect for the work and curiosity about the man. 　　What else is there to say to bring this one up to the length the computer demands especially when a lot of the entries are well below the ten lines minimum?

ON YOGA: The Architecture of Peace is director Heitor Dhalia's new film and his first documentary, it follows photographer Michael O'Neill as he talks to the great Yoga masters in India, Tibet and New York.

Dissatisfied with life at home, a young girl travels through other residences in her suburban neighborhood. She does what all of us would like to do: experience the domestic stories being played out by our neighbors. This tale is a voyeurist's paradise.

Following his mother's wishes, Jo, a reclusive young tailor from Tokyo embarks on a solitary journey across Japan.

Infinite Space, a documentary feature film, traces the lifelong quest of visionary genius John Lautner to create “architecture that has no beginning and no end.” It is the story of brilliance and of a complicated life – and the most sensual architecture of the 20th century.